Prok and Fitchs’ star has been rising steadily over the past few years, as DJing has turned into a knack for production and the pair juggle between stage and studio. Their style changes from techy to melodic and much inbetween depending on their moods, and their latest single is a re-version of Chemical Brothers’ Star Guitar. Find it at the end of the interview!
We chatted to the English duo about what it’s like to work in a pair, the importance of not being precious when it comes to making music, and of course got a few tips for you guys too.
“We both have very different ideas, so we kinda just make music in the way we’re feeling at the moment” – James Fitch
Oh Drat: To start off, when it comes to your style how do you go about getting different moods when creating music, and what inspires you to make music that fits into certain places?
James Fitch: We both have very different ideas, so we kinda just make music in the way we’re feeling at the moment. For example six, seven months ago a lot of our tracks weren’t quite peak time enough in our DJ set so we started making some more banging stuff, and at the moment we’re trying to make a little bit more melodic… it’s just whatever we feel like doing to be honest.
OD: I see; does the two of you together having different ideas mean that without a partnership your music would come out very differently?
Ben Prok: Yeah, I think that there being two of us means that we compromise on things, you know, we both have different ideas in the pot so to speak. I think it works really well because we’ve both got quite different tastes in music and they complement each other in the studio with the way that we come out with something that’s fairly unique every time.
OD: So when you say you have different tastes in music, do you listen to very different styles outside of house?
BP: I’d say fairly…
BP: I mean, we both appreciate what the other person listens to. I get subjected to a lot of shit that my wife listens to (laughs) – Rihanna, stuff like that…
OD: Okay, so you can’t see yourself doing a Rihanna remix in the near future then?!
BP: Er…! We wouldn’t say no to doing one, I don’t knock that music, but personally it’s not my taste; a bit too poppy for me really. I can appreciate that it’s popular, but I think the fact that it’s on the radio all the time makes me dislike it a little bit, I think.
OD: I see. Do you think in general there’s an aspect of that with all types of music, and perhaps genres of music are affected by it in different ways. Take perhaps the most obvious example and look at how homogenous the pop interpretation of dubstep has become…
BP: I think there’s this music around that I call ‘bandwagon music’. David Guetta comes along and then everyone tries to make records that sound like that, you know. That’s where I think things lose their individuality, whereas dubstep’s still quite new and fresh I think. It’s going down that route, but it’s still relatively quirky compared to everyone trying to sound like David Guetta – or Swedish House Mafia, every track has to have a big trancy breakdown now.
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