Reloop SHP-1 Review

Reloop SHP-1 Review

Reloop are better known for their products in the DJ world – in fact they’ve gone from being a smalltime OEM re-brander to one of the big players in original IP in the past few years – and it looks like they’ve decided to make a foray into the music production and pro audio world. I’ve had the Reloop SHP-1 studio headphones in for a test drive to see whether Reloop can cut it in the more subtle world of pro audio.

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bitwig-studio-screenshot

Bitwig Studio Beta Looms

You’ll be forgiven for being thus far oblivious to Bitwig. They’ve been quietly beavering away at developing their flagship product, Bitwig Studio, since their inception in 2009, and only just approaching beta. With a team comprising some notable ex-Ableton brains, it’s no surprise that Bitwig Studio has more than a couple of things in common with Ableton Live. Here’s the video:

Bitwig Studio though has a number of features that Live users have been wishing for either en masse or in niche for some time – here are a few of the most interesting features we’ve picked out of the information we’ve had thus far:

  • Full cross platform support: Windows, Mac, Linux
  • ‘on note’ automation editing that looks similar to Cubase 6′s VST note expression (we’re waiting for confirmation on the exact functionality of this, but it’s confirmed that it can control per note panning, timbre, and volume of included instruments)
  • Onion skinned automation lanes showing multiple parameters simultaneously
  • Split pane workflow of clip/groove based sequencing and linear sequencing
  • Clip based effects automation sequencing
  • Block style pattern sequencing, ala MPC, FL Studio, Maschine etc
  • Non exclusive mixer tracks that will play audio and software instruments on a single channel
  • Multiple document editing, allowing copy and paste between documents
  • Multiple window support

The future for Bitwig Studio is a spinning coin of opportunities and threats: It’s very similar in many aspects to Ableton Live, and thus is likely to get someone’s back up somewhere. If Live can essentially integrate what Bitwig are doing close enough to the release of Bitwig studio, especially now the cat is somewhat out of the bag, it could see Bitwig Studio struggling to gather steam. That said, with Ableton Live’s next big update presumably being Live 9, the iterative nature of Ableton’s product development seems to have hampered its once unshakeable stability and if Bitwig Studio’s ground up design means it’s rock solid yet still fully featured, it could reap the rewards of a defection or two.

We’re certainly excited to see and hear the extent of the included instruments and effects, and there’s even plans to include a Reaktor/Max like instrument editor after launch. We’re thinking ahead here, but if Bitwig Studio can be installed on an ultra-low footprint Linux install and manages to sound as great as it looks without relying on third party plugins… well, let’s just leave it at ‘we’re excited’.

More information as we have it – which will be soon. Let us know what you think – are you thinking about it as an Ableton Live beater, or is it unnecessary to draw that close a comparison?

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