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NAMM 2012: Akai Max49

The Akai Max49 is another of NAMM’s little surprises, and I don’t think anyone was quite expecting it. It’s a reversion of the MPK49, essentially – although that’s not to say that the MPK49 is being discontinued – with far superior pads and ribbon controllers in place of physical sliders. There’re also CV connections round the back, a cool step sequencer function, and the debut of Akai Connect, which looks to be pretty much the same concept as Novation’s Automap. It commands a bit of a premium over the MPK49 for all these reasons, but the removal of the rotary pots has detracted from the value in our opinion. The pads are much better than the ones on the MPK range, and that’s what stuck out to us most I think. That and the metallic red paint job of course. Expect a review around release time!

Best Bits:
  • Markedly improved pads over MPK range
  • Ribbon strips for pickup of software changes
  • Same excellent keys as the MPK49
But:
  • No knobs
  • Premium price
 Specs:
  • 49 semi-weighted keys with Aftertouch
  • Built-in step sequencer
  • Expanded arpeggiator with latch and time division controls
  • Included AkaiConnect software automatically maps to VST plugins
  • 12 backlit, real MPC pads with MPC Note Repeat and MPC swing
  • Eight backlit LED touch faders
  • Four pad banks & four fader banks
  • CV & Gate outputs for use with vintage analog synths (1V/Oct)
  • Large, centrally-positioned transport controls & rubberized pitch and modulation wheels
  • Mackie Control & HUI modes

 

 

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