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NAMM 2012: Arturia Minibrute

Arturia have surpised a lot of people with the Minibrute; after all, they’re one of the biggest advocates of analogue modelling in the game so turning up with an analogue synth is a little strange – they did raise the very valid point that having actually researched just about every analogue synth out there and exhaustively figured out why they sound like they do, they’re actually very well placed to  create an analogue synth.

Best Bits:
  • Sounds fantastic
  • Very easy to use
  • MIDI over USB
  • CV in and out, and the unit acts as a CV converter too
But:
  • No audio over USB
  • Utilitarian design
Specs:
  • Monophonic synthesizer
  • 100% Analog Audio Signal Path
  • Steiner-Parker Multimode Filter (LP, BP, HP and Notch)
  • Voltage Controlled Oscillator with Sub-Osc
  • Oscillator Mixer (Sub, Sawtooth, Square, Triangle, White Noise, Audio In)
  • LFO1 with 6 waveforms and bi-polar modulation destinations
  • LFO2 with 3 vibrato modes
  • Brute Factor™ – saturation
  • Ultrasaw
  • Metalizer – harmonic increaser for triangle wave
  • Two ADSR Envelope Generators
  • 25 note Keyboard with Aftertouch
  • USD 549.00 / EURO 499.00
  • Available April

 

The wave mixer on the VCO allows you to mix saw, square, and triangle waveshapes, as well as the white noise generator, to taste. Arturia have added three extra controls to the signal: Brute introduces foldback distortion, ultrasaw stacks sawtooths, and Metaliser adjusts the angle of the triangle waveform to increase harmonics. All this goes towards the raw sound of Minibrute being fantastically rich and sweet. They all go through a Steiner-Parker designed filter that features notch, bandpass, lowpass, and highpass modes, and the calibre of the filter is bananas. It is unbelievably smooth and squeals so musically that it’s undeniably worth the price premium that it presumably added over using a stock filter design. In general the unit’s solid – it’s not the most beautiful design we’ve ever seen but its plain look means it’s also completely inoffensive – and the aftertouch keys are really responsive.

We’re not calling it until we’ve had one in the studio for a play, but I’m pretty excited about the Minibrute – Let us know how you feel!

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