Free Analogue Bass Samples, Free Ableton Instrument, Reason Rack Extensions Promo!

This week get free Korg analogue bass samples, a free Ableton FX instrument, and get excited about Reason Rack Extensions! Continue Reading

Izotope Iris Promo Price, Reason 6.5 Beta, and Beatcleaver Update

Another three of our favourite stories from around the web this week, with a cash saving promo offer on iZotope’s latest, Reason’s Rack Extensions getting closer and closer, and an update to a very cool, low cost way of slicing your samples…

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Musikmesse 2012: Propellerhead Rack Extensions for Reason

 

They’re not at Musikmesse so we’ve not had a chat with them (yet), but one of the coolest announcements of the week is that Propellerhead are finally opening up Reason to third parties – in their own special way.

Reason users have long been split into two camps: those who wish there was VST/AU compatibility to open things up a little, and those who praise the stability of the entirely in the box solution. These two somewhat incongruous positions have finally – hopefully, at least – been reconciled with this new announcement.

Rack Extensions are essentially plugins for Reason, but with a very strict integration guidelines. A third party rack device will be usable just like a core device, right down to nesting it in Combinators, routing the signal, automating, and so on.

We’re really excited about this one – how about you?

Propellerhead Balance

Propellerhead Announce Balance Audio Interface

Coinciding with their announcement of Reason 6 and Reason Essentials, Propellerhead are taking their first step into the third dimension with the unveiling of Balance, a 2/2 USB bus powered audio interface. 24/96 recording quality and a heap of inputs, including two XLR mics with+48v, two guitar ins with a pad, and two stereo 1/4″ inputs.

interesting features include the ‘Clip Safe’ dynamic level attenuator and an onboard tuner

A headphone and two 1/4″ outputs come out the other end, and which of each you use at any given time is selected atop the unit. We love the look of the unit – it’s something of a design statement and we’re big fans of things out of the norm (the bright red Monkey Banana Turbo monitors we have in for testing at the moment will attest to that. We never want to see them leave!). More interesting features include the ‘Clip Safe’ dynamic level attenuator and an onboard tuner, and the built in Ignition key will make it easier to use the upcoming Propellerhead software – considering that Balance is only available as part of a package with Reason Essentials but there’s a free update to Reason 6 for existing owners of Reason or Record on purchase we think that Propellerhead are really taking the Studio in a Box idea to the next logical step: including the audio interface.

Balance is out on the 30th of September just like Reason 6 and Essentials, but until then you can take a look at the Propellerhead made video…

iPad 2

Apple Announce iPad 2 – What Does it Mean for Music Production?

When the iPad was released in April last year, I don’t think it’s an exaggeration to say that it took the world somewhat by storm. Despite not being the first to do a lot of the things it was lauded for doing (companies like Jazz Mutant were releasing multi touch screens for musicians much earlier, for instance) it was certainly the most conspicuous; perhaps the iPad’s greatest feature was the way it opened peoples’ eyes and imaginations to the realities of the progress of consumer level technology. Whilst the traditional keyboard and mouse paradigm of computing is some way from being shaken out of its position as the power user’s choice, light, touch friendly apps on the iPad are capturing peoples’ imaginations.

light, touch friendly apps on the iPad are capturing peoples’ imaginations

The way I see it, there are two main barriers to the adoption of the iPad (or of course any other multi touch tablet – right now the focus is on Apple because I genuinely think they’re the only ones doing it right at the moment): power and connectivity. There’s a possible third, too, and I’ll get onto that later.

When it comes to power, even computer nerds are starting to find it difficult to keep up with the colossal speed at which progress is being made. We’re a long way from the simpler times when a bigger number meant a faster processor, and what with multiple chips, cores, faster buses and all the other wizardry that’s being squeezed out of silicon, the number of mHz written on something isn’t really relevant anymore – especially where custom chips built for bespoke computers with matching software are concerned. No, the reality is that technology is moving forward at such a frightening rate that in less than a year, processing power of the iPad 2 is reportedly double that of its predecessor. iPad was already fast enough to run software like Korg’s iElectribe, a very convincing virtual remake of one of its most successful groove boxes, and Akai’s SynthStation, a full studio in a box tool that really proved that iPad meant business when it comes to audio.

When iPad 2 is launched, GarageBand for iPad will follow shortly.

When iPad 2 is launched, GarageBand for iPad will follow shortly. New hardware, from Apogee’s JAM to Alesis’s StudioDock and the Akai SynthStation 49 are all pieces in the puzzle that provide solutions to connectivity issues of such a standalone piece of equipment, with more, I’m sure, to follow.

Predictions? A future update of iOS will improve app to app interoperability, increasing the practicality of investing in the burgeoning iOS synth market and paving the way for Apple to release an iPad version of Logic with a plugin system. Propellerhead, one of the kings of the studio in a box world, will bring out their own studio in a box iPad app and Imageline, the other king, will up their game after testing the water with their recently released ‘in name only’ FL Studio. I’d also be surprised if Akai weren’t to bring out an MPC like sampling workstation and pad controller with audio input for sampling.

But what does that mean right here and now? The truth is, iPad 2 still doesn’t have the power to compete seriously with a desktop operating system when it comes to the kind of quality and quantity we’ve come expect from home studio software. However, it’s more portable, more tactile, and has a much shallower learning curve – if you already own both a computer and an iPad and want to simply enjoy yourself with music, then the iPad 2 is beginning to look like it might be an even better choice than traipsing through the minefield of computer software decisions. And, one day soon, we won’t even have to choose…

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